CUT + RUN FOLLOWS THE LIGHT WITH THE FORD FOCUS
This latest spot for Ogilvy, showcases the attraction of the Ford Focus. "White & Orange" was directed by Vaughan Arnell of production company Serious Pictures and edited by Leo King of Cut + Run, and began airing earlier this month.
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Diana's Top 10 Final Cut Pro 7 Features #7 - Improved Markers By Diana Weynand
You know those little post-it note pads that come in multiple colors? Ok, admit it now. Do you ever color-code your notes? Maybe yellow notes are financial, pink ones are hot to-do items. Well with Final Cut Pro 7, you can now use color to label your markers in a very similar way. There are several other marker improvements as well.
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Diana's Top 10 FCP 7 Features #8 - iChat Theater Preview By Diana Weynand
In the past, if you wanted to share some portion of your work with another set of eyes, it was a somewhat time-consuming business of exporting a QuickTime file or transferring a sequence or a portion of a sequence to another drive or server for someone else to access. That's no longer the case. Welcome to iChat Theater Preview-the quick and easy way to share and discuss your sequence with someone down the hall or around the world in real time.
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Tonal Sets Uplifting Mood For A&E's Recovery Project Campaign
Following the success of the Emmy-winning series "Intervention," A&E has created The Recovery Project, a multimedia and community based outreach program designed to raise awareness about addiction and how it is treatable and recovery is possible. A key component to the project are two moving TV spots featuring a powerful, anthemic score composed by Alex Lasarenko, Creative Director of music/sound design house Tonal.
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Diana's Top 10 Final Cut Pro 7 Features #9 - The Timecode Viewer By Diana Weynand
Look at the image below. Something new has been added in FCP 7. It's the Timecode Viewer, a floating time code window, which will really come in handy as you share your screen or sequence with others. And taking notes by jotting down time code as you view your footage has never been easier.
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C4D QuickTip : MoSpline 01 By Ko Maruyama
MAXON's CINEMA 4D R11.5 is full of new features, including several new tools that you'll find in Mograph. In addition to the spline tools that were introduced earlier, MoSpline is a dynamic way of introducing creative spline data to your scene. For some projects, a little tweeking may be necessary. Here's how...
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Diana's Top 10 FCP 7 Features: #10 - Color Coding Tabs By Diana Weynand
The ability to utilize the operating system's color-coding capabilities for organizing and easily identifying bins, clips and sequences has been a standard feature in earlier versions of the software. However, Final Cut Pro 7 now raises the bar by implementing the color-coding of bins, clips and sequences to their respective tabs in the Timeline, Canvas and Browser windows.
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SUPERFAD SENDS MESSAGE FROM WYCLEF JEAN & VOILA FOR AGENCY GLG
The Garrigan Lyman Group recently tapped Superfad to create a branding commercial that would embody the spirit and beauty of Haiti for Voila a Haitian telecommunications company. At the heart of the campaign is Haitian-born superstar Wyclef Jean from whose hands spill the paint that creates an animated and colorful representation of the essence of Haiti.
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Asylum Helps Draw The Porsche Family Tree
Asylum, in collaboration with ad agency Cramer-Krasselt/Chicago and @RadicalMedia Director Jeff Zwart, completed a major VFX feat for a new TV spot introducing the Porsche Panamera - the first four-seat sports car from the iconic carmaker. The elaborate, technically challenging commercial was the perfect showcase for Asylum's vast VFX capability.
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FIRST LOOK: JVC HM-100u By Heath McKnight
The JVC HM-100u ProHD camera may be small in size, but it's packing three Full HD (1920 x 1080i/p) CCDs that capture great image quality, and it uses Sony's SxS/EX technology to deliver a tapeless workflow on affordable SDHC media cards. Plus, if you're a Final Cut Pro user, you can shoot directly to QuickTime for even faster importing and editing.
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FlickerLab Animates George W. Bush Address For Michael Moore's "Capitalism: A Love Story "
For a fifth time, FlickerLab has teamed with Academy Award-winning Director Michael Moore, and created a minute-long animated segment, Chicken Little, for his latest feature Capitalism: A Love Story. Opening in New York and Los Angeles Sept. 23 and in theaters nationwide October 2nd, the film explores the root causes of the global economic meltdown and takes a sardonic look at the corporate and political shenanigans that plunged the world into the current financial crisis.
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Unfiltered Entertainment's Wake the Witch By John Virata
Unfiltered Entertainment, Inc., worked over the months of September, October and November of 2008 to finish shooting Wake the Witch, a direct to DVD psychological horror/suspense feature film that is expected to be released through Amazon.com and Filmbaby.com this month. The company edited the film in Adobe Premiere Pro CS4 and shot the film using JVC's GY-HD250U camcorder, shooting more than 20 hours of footage during the course of 24 days.
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Coremelt Complete V2 By Kevin McAuliffe
You can never have enough plug-ins. Trust me, as an editor/graphic designer you always have clients that want something "cool," but have really no idea what they are looking for, so you end up finding yourself going through the plug-ins on your system to try and put something together to really "wow" them, your plug-in collection needs to have three traits.
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